Matmos’ Hypnotic, Healing New Album ‘Shall We Go On Sinning…’ Reviewed

Matmos has long been a name associated with pushing the boundaries of electronic music. The duo—Drew Daniel and Martin Schmidt—have built impressive résumés through solo projects, production work for Björk, and a string of genre‑defying releases. Their newest offering, released under Daniel’s side project The Soft Pink Truth, is titled “Shall We Go On Sinning So That Grace May Increase?” and it invites listeners into a paradoxical world where guilt and redemption coexist.

From the first seconds, the album greets you with a gentle synth swell and a laid‑back beat that feels more like a guided meditation than a club track. Yet, true to Matmos’ reputation for genre‑bending, each piece quickly shifts—one moment you hear a trap‑inflected rhythm, the next you’re immersed in ambient drones, and later a minimalist house groove sneaks in. This fluidity showcases Daniel’s knack for inventing “viral music genres” on the fly.

What makes the record stand out is its built‑in therapeutic quality. Low‑frequency pulses, airy pads, and carefully placed vocal snippets create an atmosphere that feels both soothing and introspective. The track “Grace,” for example, starts with a melancholic chord progression before gradually lifting into an uplifting crescendo, leaving the listener with a sense of hopeful release.

Beyond being an experimental electronic album, this work functions as a kind of sonic therapy session. Daniel’s prolific output is evident; he crafts a fresh sonic universe while simultaneously guiding the audience through an inner journey. Whether you’re a longtime Matmos fan or a newcomer seeking a fresh auditory experience, the album delivers a compelling blend of hypnotic grooves, healing textures, and an overarching sense of optimism. In short, “Shall We Go On Sinning…” is a mesmerizing, hopeful soundscape that reaffirms Matmos’ creative brilliance.

Source: The Verge

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